Collection of Prints and Drawings

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Production People
Marcantonio Raimondi (Print made by)artist bio
Raimondi, Marcantonio
b ?Argini, nr Bologna, c. 1470-82; d ?Bologna, 1527-34

Raphael (After)artist bio
Raphael [Santi, Raffaello; Sanzio, Raffaello]
b Urbino, 28 March or 6 April 1483; d Rome, 6 April 1520
Title / Description
St Cecilia
 
Date
c. 1515-16
 
Technique
engraving
Material
paper
Dimensions
270 x 161 mm (sheet, trimmed close to platemark)
Inscriptions
Signed with monogram 'MAF' and inscribed lower centre: 'RAPHE IVE'
State
only state
 
Watermark
visible
Provenance
unidentified (close to Lugt 3065)
Nikolaus Esterházy (Lugt 1966)
 
References
Bartsch XIV.101.116 info
Adam Bartsch, Le peintre-graveur, vols. 21, Vienna 1803-21

Passavant VI.18.51 info
Johann David Passavant, Le peintre-graveur, 6 vols., Leipzig 1860-64

Delaborde 1888, no. 92 info
Henri Delaborde, Marc-Antoine Raimondi: Étude historique et critique suivie d'un catalogue raisonné des oeuvres du maitre, Paris 1888

Shoemaker 1981, no. 28 info
Innis H. Shoemaker, The Engravings of Marcantonio Raimondi, exhibition catalogue, Kansas, Spencer Museum of Art 1981

Rome 1985, p. 217, no. V.1 (only state) info
Grazia Bernini Pezzini, Stefania Massari et al., Raphael invenit: Stampe da Raffaello nelle collezioni dell'Istituto Nazionale per la Grafica, exhibition catalogue, Rome, Calcografia Nazionale 1985

Höper 2001, no. C 14.1 info
Corinna Höper, Raffael und die Folgen: Das Kunstwerk in Zeitaltern seiner graphischen Reproduzierbarkeit, exhibition catalogue, Stuttgart, Staatsgalerie Stuttgart 2001
 
Comment
Related to Raphael's early design for the altarpiece in San Giovanni in Monte, Bologna, from which it differs significantly. A drawing attributed to Giovanni Francesco Penni, preserved in Musée du Petit Palais, Paris, inv. no. 980, probably after a lost study by Raphael, was believed to be the model for the print by Oberhuber. The print is considered by Shoemaker as one of Marcantonio Raimondi's most complex and successful works especially because the range of tonalities.
 
Inventory Number
5761
 
Classification
Prints: Italian: 16th century: Mounted I
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