Collection of Prints and Drawings

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Production People
Nicolas Beatrizet (Print made by)artist bio
Beatrizet, Nicolas
b Thionville, 1507, or Lunaville, 1515; d Rome, c. 1565

Girolamo Muziano (After)artist bio
Muziano, Girolamo
b Brescia, 1532; d Rome, 27 April 1592

Nicolas Beatrizet (Published by)artist bio
Beatrizet, Nicolas
b Thionville, 1507, or Lunaville, 1515; d Rome, c. 1565
Title / Description
The Raising of the Daughter of Jairus
 
Date
c. 1565
 
Technique
engraving
Material
paper
Dimensions
525 x 384 mm (sheet, trimmed close to platemark)
Inscriptions
Signed lower right: 'NICOLAUS BEATRICIUS LOTARINGUS INCIDIT ET FORMIS EXC.', inscribed lower left: 'HIERONYMO/MVCIANO/BRIXIANO/INVENT and lower center: 'ARCHISUNAGOGI FILIAM IAM MORTUAM/IESUS CHRISTUS A MORTUIS SUSCITAT./MARCUS CAP. V'
State
second state of four
 
Watermark
visible
Provenance
Nikolaus Esterházy (without stamp)
 
References
Bartsch XV.246.15 info
Adam Bartsch, Le peintre-graveur, vols. 21, Vienna 1803-21

Robert-Dumesnil IX.140.8 info
Alexandre P. Robert-Dumesnil, Le peintre-graveur francais, 11 vols., Paris 1835-71

Bury 2001, no. 60 info
Michael Bury, The Print in Italy 1550-1620, exhibition catalogue, London, The British Museum 2001

Bianchi 2003–4, no. 8 (second state of four) info
Silvia Bianchi, 'Catalogo dell'opera incisa di Nicola Beatrizet,' Grafica d'arte 14 (2003) 54, pp. 3-12; 14 (2003) 55, pp. 3-12; 14 (2003) 56, pp. 3-12; 15 (2004), 57, pp. 3-13

Gramaccini and Meier 2009, no. 131 info
Norberto Gramaccini and Hans Jacob Meier, Die Kunst der Interpretation: Italienische Reproduktionsgrafik 1485-1600, Berlin and Munich 2009
 
Comment
After Girolamo Muziano's painting in the Escorial, Madrid, which was begun c. 1560 and despatched to Spain in 1561. Michael Bury in 2001 quotes a letter by Lampsonius to Giorgio Vasar in 1565, which indicates that Muziano had closely collaborated with Beatrizet in the production of this print. The differences between the painting and the print suggest that Muziano provided Beatrizet with a special drawing. Bury calls attention that the inscription informs us that the printmaker owned the plates and also controlled the printing. There are two other prints with comparable inscriptions: Bartsch XV.249.20 and Bartsch XV.255.31.
 
Inventory Number
52162
 
Classification
Prints: Italian: 16th century: Mounted II
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